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Color Octaves: Sight, Sound, and Elegant Recurrence      (May 8th, 2008)


Take the slowest electro-magnetic wave frequency we can see, double it, and we're already out of the visible range into ultraviolet. Take the slowest sound wave frequency we can hear, double it nine times over, and we can still hear it (if we have young, healthy ears).

An odd thing happens when we double the frequency of a sound wave. Double the frequency of a middle C, for instance, and we hear a C again, only "higher!" This organization of pitch gradations into octaves is cross-cultural, hard-wired in our brains.

What if we could see a larger swath of the electro-magnetic spectrum, as many other species can? Our first guess might be that we'd simply see new colors. But maybe there is something about our brains -- or the elegance of the universe -- that would cause us to see the same colors in new "color octaves." The red we can now see and the red just beyond our perception in the ultra-violet range would seem the same yet different, much like middle C and the C an octave above it.

Of course, hearing is different from seeing. Sound sources generate higher-frequency "overtones," and the strongest overtones occur at powers of two -- octaves. So there are clues for octave perception in the sound waves themselves. I don't think light sources produce such orderly "over-hues" (if they do, let me know!). Also, the pitch-sensitive cochlear hair cells in our ears differ greatly from the color-sensitive cones in our eyes. Cones evolved in three flavors that specialize in red, green, and blue frequencies.

Still, I like the idea that if we could see more of the electro-magnetic spectrum, we'd see delicious new combinations of familiar elements, like a higher blue mixed with a lower violet. Human consciousness rejoices in cycles: a grand slam that takes you around the bases and back home in triumph, B-flats above this B-flat, streets below your street, worlds beyond worlds spiraling toward perfection.



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